Friday, January 9, 2026

Aperitif

 

Aperitif
Cocktail Hour the French Way
by Rebekah Peppler
photos by Joann Pai
Clarkson Potter
2018
 
  
Aperitif is an invitation to enjoy a French style happy hour, an apero, with friends. For author Rebekah Peppler, an American who lived in Paris for awhile in her 20s and 30s, this means drinks made with sherry, vermouth, and other fortified wines, and savory snacks to accompany them before dinner. 
 
Peppler starts of with an introduction to vermouth (plus its cousin quinquina), sherry, and a few recommended liqueurs like Suze, St Germain, and creme de cassis. Most of the ingredients she uses are bittersweet, which definitely gives the drinks she builds from them a consistent palate. 
 
Vermouth is made from wine that's fortified with a spirit like brandy, then infused with herbs, including wormwood, from which it draws its name. Quinquina is very similar, except the bittering agent is quinine instead of wormwood. Sherry starts similarly but gets its flavor from aging in oak barrels rather than infusing herbs. Peppler picks a few brands to mention by name - Byrrh, Dubonnet, and Lillet - but largely treats the various vermouths and quinquinas as interchangeable aside from grouping them as rouge, blanc, and rose, which is honestly what I do at home too.
 
Next there are four sections of drink recipes, grouped by the weather at the time you're drinking them - warm, hot, cool, and cold. Peppler says this is partly seasonal, partly based on time of day, and whether it's been rainy or sunny. The drinks are all relatively low alcohol, what Dinah Sanders calls 'shims'. Because of Peppler's limited ingredient list, and because many of her ingredients are categories with several options for how to fill it, a lot of the recipes seem like flexible templates. Others are oddly specific. There's a Kir drink in each season, for example, always with the exact same ratio, just changing the mixer, always blackcurrant liqueur (cassis), just with sparkling wine, lager, cider, or red wine.
 
There's also a section with recipes for snacks, various puff pastries, crackers, and seasoned popcorns you can make yourself, along with spreads to smear on them, tapenades and pates. There's a bit of advice for doctoring olives or preparing cheese to share, but the emphasis is on things you prepare more than things you might purchase directly.
 
I have a suspicion that Peppler's vision of l'apero has as much to do with the nature of her friend group in Paris (and her nostalgia for those friends, after she moved back) as it does with what's customary in France, but I think that's inevitable. Imagine what a French woman who lived in New York as a young adult might write about American happy hour, for example! But I do feel inspired to try out a few more vermouth drinks this year.

Sunday, January 4, 2026

One Week in January

 
  
One Week in January
New Paintings for an Old Diary
by Carson Ellis
2024
 
  
I think it's just a thing that happens, in your 40s, to find old diaries and letters and things. I found a bunch the last time I moved. Over the past few years, I've heard from several old friends from college, because they found something like that and thought of me. Artist Carson Ellis made a discovery of her own, a diary she kept for a week in 2001, at the beginning of the new year, starting on the first day she moved into her new apartment in Portland. 
 
One Week in January is that diary, with the addition of illustrations showing the people and sights from that time in Ellis's life. If you don't otherwise know her (she's the author and illustrator of several children's books, for example), Carson Ellis is married to Colin Meloy, the lead singer and songwriter for the Decemberists. 
 
In January 2001, Ellis and Meloy were best friends and neighbors living in tiny studio apartments on a converted warehouse. The Decemberists had self-released their first EP, were starting to play their first live shows, and Meloy was writing 'Grace Cathedral Hill', a song that would go on their first full album, Castaways & Cutouts
 
Ellis had a crush on Meloy, while he was going on casual dates with several other girls in their social circle. She was trying to support herself as an artist, working on a couple big paintings, and getting smaller gigs making posters and flyers and the like. Already, she was making all the promotional art the Decemberists needed.
 
In January 2001, I was halfway through my first, very lonely year of college. I didn't get the courage to tell anyone I was trans until the start of my sophomore year, that fall. Later, in my senior year, I lived in a studio apartment about the same size as the one Ellis describes, although my building had private bathrooms and only the kitchen was shared. I went to a Decemberists' concert while I was in college, so only a couple years after Ellis wrote her diary, when they were still a small enough name to play at a bar instead of a larger concert venue, (though large enough that I'd heard of them).
 
image by Carson Ellis
 
Ellis's diary is surprisingly detailed and specific, and (in her own judgment, stated in the introduction) kind of boring. He diary captures her sharing meals with friends, trying to get work as an artist, checking her email to find nothing new, dealing with the hassle of getting her phone line set up, and on the last few days of the week, going out on the town and trying to have a good time with her friends, despite everyone's lack of spending money.
 
One Week in January is the kind book I think you can probably only make and have an audience for if you're already famous. The paintings Ellis made for the book do a lot to elevate a concept that would otherwise probably only merit a zine. I say this, but I am in fact glad I read it. It reminds me of a similar time in my own life, especially my last year of college and first year couple years of grad school, a time that was emotionally fraught and painful, but also full of nights out and fumbling attempts to create an adult identity. Ellis's paintings show the kind of scenes I used to take photos of, friends I was hanging out with, views of the city I encountered during the day and wanted to hold onto. It's a good book for starting a new year.

Friday, January 2, 2026

Everything I Watched in 2025

January
Spider-Man: The Animated Series, season 1
The Hobbit (1977)
Harry Potter and the Sorcerer's Stone (2001)
Is it Cake?, season 3
Green Porno, series
The Big O, season 1
Taste the Nation with Padma Lakshmi, season 1
All That Breathes (2022)
Lockwood & Co, season 1
The Owl House, season 1
Going Clear: Scientology and the Prison of Belief (2015)
The Peripheral, season 1
Star vs The Forces of Evil, season 1
Gandahar (1987)
 
February
Last Exile, series
Severence, season 1
Pirates of the Caribbean: Curse of the Black Pearl (2003)
The Big O, season 2
Dopesick, miniseries
100 Vaginas (2019)
Chip n Dale Rescue Rangers, series (1989)
Drawers Off, series 1
Silo, season 2

March
The Queen's Gambit, miniseries
Pantheon, season 1
Legion, season 1
Pantheon, season 2
Mad Cowgirl (2006)
Invincible, season 2
Conan O'Brien Must Go, season 1
Tove (2020)
Flow (2024)
 
April
Mobile Suit Gundam Wing, series
Star Wars: Visions, season 2
Sisters with Transistors (2020)
Daredevil: Born Again, season 1
Tales from the Loop, miniseries
Spider-Man: The Animated Series, season 2
North of North, season 1
Abbott Elementary, season 4
Manifesto (2015)
Landscape Artist of the Year, series 6 (2017)
Yu Yu Hakusho, season 1, Spirit Detective arc
 
May
WeWork: or The Making and Breaking of a $47 Billion Unicorn (2021)
Sinners (2025)
Adventure Time, season 1
Andor, season 1
Batman: The Animated Series, season 2, The Adventures of Batman and Robin
Star Trek: Lower Decks, season 5
The Substance (2024)
Shogun, miniseries (2024)
 
June
Dune: Part Two (2024)
Andor, season 2
Ghost in the Shell: Stand Alone Complex, season 1
Slow Horses, season 1
Money for Nothing, series 1
The Sword in the Stone (1963)
Muppet Treasure Island (1996)
 
July
Reacher, season 1
Blackstar, series
Gazer (2024)
Ironheart, season 1
Lazarus, series (2025)
Murderbot, season 1
Tom and Jerry Spotlight Collection, volume 3
Superman (2025)
Slow Horses, season 2
Succession, season 2
Slow Horses, season 3
Portrait Artist of the Year, series 16 (2022)
Solaris (1972)
 
August
Common Side Effects, season 1
Cuckoo (2024)
Jentry Chau vs the Underworld, season 1
Slow Horses, season 4
Taste the Nation with Padma Lakshmi, season 2
KPop Demon Hunters (2025)
Legion, season 2
Girls' Last Tour, series 
Donald in Mathmagic Land (1959)
Alias Grace, miniseries
Brainstorm (1983)
The Gilded Age, season 1
 
September
God Help the Girl (2014)
Taste the Nation with Padma Lakshmi, Holiday Edition
The Black Cauldron (1985)
The Gilded Age, season 2
Mobile Suit Gundam GQuuuuuux, series
The Gilded Age, season 3
The Assessment (2024)
Alien: Earth, season 1
The Green Knight (2021)
 
October
Dan Da Dan, season 2
Molli and Max in the Future (2023)
The Secret Cities of Mark Kistler (2023)
Poupelle of Chimney Town (2020)
No Country for Old Men (2007)
The World's End (2013)
Money for Nothing, series 2
The Power, season 1
 
November
Patlabor: The Movie (1989)
The Night Manager, miniseries (2016)
Slow Horses, season 5
The Summer Hikaru Died, season 1
The Danish Girl (2015)
Landscape Artist of the Year, series 8 (2018)
Tenet (2020)
M (1931)
Ghost in the Shell: Stand Alone Complex, season 2
Mr Robot, season 1
The Deer King (2021)

December
A Charlie Brown Thanksgiving (1973)
There Will be Blood (2007)
The Twilight Zone, season 1 (1959)
Portrait Artist of the Year, series 18 (2023)
It's a Wonderful Life (1946)
Ranma 1/2, season 2 (2025)
Dispatches from Elsewhere, season 1
How the Grinch Stole Christmas (2000)
Adventure Time, season 2
Santa Claus Conquers the Martians (1964)
Bodies, miniseries (2023)
Love Me (2024)

Thursday, January 1, 2026

Everything I Read in 2025

January
Short Life in a Strange World by Toby Ferris
Here by Richard McGuire
A Steampunk Carol by Luca Frigerio, art by Lorenzo Pigliamosche
 
February
Green Dot by Madeleine Gray
Squire by Nadia Shammas, art by Sara Alfageeh
The Christmas Book Flood by Emily Kilgore, art by Kitty Moss
Mortal Engines by Stanislaw Lem
Griffin and Sabine by Nick Bantock
Mickey's Craziest Adventures by Lewis Trondheim, art by Nicolas Keramidas
No One Left to Come Looking for You by Sam Lipsyte
 
March
Une Semaine De Bonte by Max Ernst
The Tea Dragon Society by K O'Neill
The Musical Illusionist and Other Tales by Alex Rose
Die 1 by Kieron Gillen, art by Stephanie Hans
The Runaway Road by Stan Mack
 
April
The West Passage by Jared Pechacek
The Best American Comics 2017 edited by Ben Katchor
7th Time Loop 3 by Touko Amekawa, art by Hinoki Kino
Gretel and the Great War by Aadam Erlich Sachs
Paper Girls 1 by Brian Vaughan, art by Cliff Chiang
Heavenly Bodies by Paul Koudounaris
The Sun by Frans Masereel
 
May
Alphabetical Diaries by Sheila Heti
The Yellow 'M' by Edgar Jacobs
Ancillary Justice by Ann Leckie
Belle of the Ball by Mari Costa
The Pastel City by John Harrison
 
June
Too Like the Lightning by Ada Palmer
The Three Astronauts by Umberto Eco, art by Eugenio Carmi
The Shadow of the Torturer by Gene Wolfe
Lost Letters by Jim Bishop
Witch Hat Atelier 9 by Kamome Shirahama
Petra by Marianna Coppo
The Forest by Alexander Nemerov
 
July
Playing with Books by Jason Thompson
The Eyre Affair by Jasper Fforde
The Girl that Can't Get a Girlfriend by Mieri Hiranishi
Chrono Trigger by Michael Williams
Otto by Jon Agee
Die 2 by Kieron Gillen, art by Stephanie Hans
The Lady Matador's Hotel by Cristina Garcia
 
August
The Best American Comics 2018 edited by Phoebe Gloeckner
The Assassination of Brangwain Spurge by MT Anderson, art by Eugene Yelchin
Witch Hat Atelier 10 by Kamome Shirahama
 
September
Summerland by Hannu Rajaniemi
Thieves by Lucie Bryon
Tower Dungeon 1 by Tsutomu Nihei
Fakes edited by David Shields and Matthew Vollmer
The History of the Computer by Rachel Ignotofsky
 
October
The Tea Dragon Festival by K O'Neill
All the Beauty in the World by Patrick Bringley
Ancillary Sword by Ann Leckie
Donald's Happiest Adventures by Lewis Trondheim, art by Nicolas Keramidas 
Witch Hat Atelier 11 by Kamome Shirahama
The Nude by Michelle Lindley
Paper Girls 2 by Brian Vaughan, art by Cliff Chiang
Sabine's Notebook by Nick Bantock 
 
November
A Storm of Wings by John Harrison
I Married My Best Friend to Shut My Parents Up by Kodama Naoko
My Dear Pierrot by Jim Bishop
The Bathysphere Book by Brad Fox
Invisible Things by Andy Pizza and Sophie Miller
Tower Dungeon 2 by Tsutomu Nihei
 
December 
The Shamshine Blind by Paz Pardo
This One Summer by Mariko Tamaki, art by Jillian Tamaki
The Hard Switch by Owen Pomery
The Claw of the Conciliator by Gene Wolfe
Bad Dream by Nicole Maines, art by Rye Hickman
There's a Tiger on the Train by Mariesa Dulak, art by Rebecca Cobb
Invisible Planets edited by Ken Liu 

Monday, December 29, 2025

Invisible Planets

 
  
Invisible Planets
An Anthology of Contemporary Chinese SF in Translation
edited by Ken Liu
translated by Ken Liu
Tor
2016 
 
 
Invisible Planets is a collection of scifi short stories originally written in Chinese. The stories were selected and translated by Ken Liu, who's a science fiction writer in his own right, and a prolific translator of Chinese fiction. The authors included in this anthology have all won awards, and most of the stories are award-winners or nominees as well. As a result, the book functions as a kind of "best of" collection of recent Chinese science fiction.
 
According to Liu in his introduction, one of his other goals for the book is to show off the versatility of Chinese scifi by including the widest possible range of topics and writing styles. Because of this, it's difficult to identify any recurring themes. We get military scifi, a couple of cyberpunk stories, robots inheriting the planet after the humans are gone, a couple of dystopias, an homage to Italo Calvino, and from Liu Cixin, a pair of stories that have the same pro space exploration message and feeling as the so-called "golden age of American scifi." He'd be right at home on the pages of Amazing Stories, I think.
 
The one theme I think I notice is social commentary, which is common in the science fiction of any country. In his introduction, Liu discourages us from interpreting any of the stories as being 'about' Chinese social problems. On the one hand, this feels disingenuous, like including a story about a mass shooting in an anthology of American fiction and then telling the readers not to think of it as a commentary on gun violence in America.
 
On the other hand, I think part of what Liu means is that we shouldn't read these stories as being only about China. We get stories about young people having trouble finding employment, pollution, overcrowding in cities, economic inequality, the difficulty of caring for elderly people who can't support themselves. These are problems of capitalism, we have the same problems everywhere that people don't have the right to life's necessities, but only the right to buy those necessities if they can afford them. The one story that reminds me of the Chinese government's efforts to control the internet is also an intentional homage to 1984, and reading it makes me think about the way America and Britain starting to use age verification as an excuse to restrict online anonymity, or the way some websites censor certain words, so that people have to write 'unalive', because if they wrote 'dead' or 'killed' then no one else would be able to see their post.
 
The censorship story, "The City of Silence" by Ma Boyong is one of the best in the collection. It's one I think I heard of when it was first published in English, but never read until now. It's set in a city where everyone has a government issued internet username, there are only a handful of accessible websites, and people can only write using words from an approved list. Everyone also have to wear a listening device that beeps whenever they say an unapproved word, and that automatically calls the police if they say too many. So mostly people say nothing at all. Our protagonist is a man who notices a word puzzle hidden in plain sight online. When he solves it, it leads him to a small in-person gathering where the listening devices don't work, so people can talk about whatever they want (and enjoy casual sex). Joining the club revitalizes his love of language, and he starts to notice other ways that people try to use approved words to express forbidden thoughts.
 
"Folding Beijing" by Hao Jingfang (who also wrote the title story) is about a future where the capital city folds and rearranges itself like a Transformer robot, turning it into three different cities that share the same footprint. One is spacious and luxurious for the rich, another is kind of like a modern city, and the third is an overcrowded dystopia for the poor. Everyone uses a hibernation device to sleep through the other two cities' time on the surface. We follow a poor man who's trying to make some money by crossing between the different Beijings as a courier. "Invisible Planets" is written in the style of Invisible Cities, and it reminds me of Liu's own story, "The Bookmaking Habits of Select Species".
 
Two of Xia Jia's stories, "A Hundred Ghosts Parade Tonight" and "Night Journey of the Horse-Dragon" depict abandoned robots attaining consciousness and sentience after all the humans have disappeared from the Earth. They feel like ghost stories, or fairy tales. Cheng Jingbo's "Grave of the Fireflies" reminds me of Staislaw Lem's robot fables, except sadder and perhaps a bit more lyrical. There's a princess, a magician, a castle in the shape of a giant robot knight, and also last surviving humans migrating to an orbital city around the last star as the rest of the galaxy goes dark.

Tuesday, December 23, 2025

There's a Tiger on the Train

 
 
There's a Tiger on the Train
by Mariesa Dulak
art by Rebecca Cobb
 
 
There's a Tiger on the Train is a cute children's picture book about a little boy entertaining himself with his imagination while he and his dad ride the train to the beach. Dad is on his phone, and won't do more than glance up from it until the train arrives, which means our young protagonist will have to amuse himself.
 
Which he does! He imagines a tiger in a top hat, crocodiles just back from a swim, playful piglets, tea-drinking hippos, pugs in glamorous dresses... In the end, the train reaches the beach, and he gets what he wants most off, a chance to play with his dad, who gives him his full attention now that they're there.
 
I imagine a lot of kids can relate to a parent who's not really paying attention because they're on their phone, and everyone has had times when they're bored and have to entertain themselves. Long trips where you're a passenger are a perfect time to daydream. And dad comes through in the end! Which doesn't always happen in real life, so I was kind of relieved that things worked out here. I guess I shouldn't really be surprised a kids' book had a happy ending, but I'm still glad it did.
 
The text of the book is written in 4-line stanzas with A-B-C-B rhyming structure. There's some neat typography where changes in the font or text size herald the arrival of a new set of animals or give voice to the train's rattles and clanks. The art reminds me of a kid's color pencil drawings, which I'm sure is a deliberate effect, because it encourages young readers to try out the same style. I also think it's worth mentioning that the boy in the book is Black and his dad is White. The Snowy Day is great, but it's only one book; There's a Tiger on the Train gives children of color another opportunity to see themselves portrayed in a very relatable, universal kind of story.

Sunday, December 21, 2025

Bad Dream

 
 
Bad Dream
A Dreamer Story
by Nicole Maines
art by Rye Hickman
2024
 
 
Bad Dream is an origin story for the transgender superhero Dreamer, written by the actress who played her in the Supergirl tv series. It's part of DC Comics' series of YA graphic novels, which seems to include more origin stories than ongoing adventures. The version of Dreamer we meet here is very similar to the one on Supergirl, although here she's presented as a high school student rather than a young adult like on the show.
 
Nia Nal and her older sister Maeve are both half human, half alien, and they live in a secret small town where aliens can live on Earth without attracting attention from the broader public. Their father is human, and their mom used to be one of the Seers from the planet Naltor, a kind of psychic matriarchy who use their visions of the future to both protect the planet militarily and police it internally. Their mom had a vision long ago that her daughter would inherit her powers, so Maeve's spent her whole life training to receive dream visions ... but they haven't started yet. Nia is trans, idolizes her big sister, and wishes the other alien teens would stop bullying her.
 
Nia has also started having dreams with strange, prophetic imagery. She's afraid that she's stealing Maeve's powers from her, so she runs away to Metropolis to ... well, she doesn't actually seem to have a plan. She turns off her cellphone and then just wanders around the city drinking coffee and energy drinks to keep from falling asleep.
 
Eventually, she happens to run into Galaxy, an alien teen we met in Galaxy: The Prettiest Star from this same series of YA comics. Galaxy is metaphorically like a trans girl because she was forced to disguise herself as a human boy for most of her life. Galaxy has a Black girlfriend and a Black trans best friend. They're all older teens and recognize that Nia is a kid in trouble, so they bring her to a queer community center that includes a shelter. The trans friend wears a cool space-themed outfit in a ballroom walk-off and wins the night. Nia learns a bit about Black trans and queer culture in the big city and embarrasses herself a bit with her small town ignorance, but eventually befriends Galaxy and her friends enough that she agrees to let the older girls drive her back home.
 
One of the other Seers of Naltor was also in Metropolis. She follows Nia and Galaxy back to the secret town, reveals that (quelle surprise) the psychic leaders of a planetary surveillance state are not actually nice people, and executes Nia's mom for desertion. Nia inherits her mother's full powers in that moment, and uses them to defeat the other Seer. Afterward, we're shown that Nia and Maeve's relationship is now quite strained, and that Nia has become a sometimes superhero.
 
I have a sense that DC intends the graphic novels in this series to serve as entry points for new readers, and maybe acts as self-funding market research to find out which characters spark those readers' imagination. I'm glad that effort seems to include trying out multiple trans and trans-adjacent characters, and I've seen that Galaxy and Dreamer have gotten to appear in some of DC's regular monthly comics too, Galaxy in a Hawkgirl run and Dreamer teaming up with Superboy.