Shady Hollow
by Juneau Black
2022
Shady Hollow feels both brilliant and inevitable, because what author Juneau Black has done is to take the plot conventions of a classic cozy mystery and place it in the setting of a contemporary cozy video game, like the Animal Crossing series. It makes perfect sense, because both already take place in the same sort of environment - an isolated small town where everyone knows everyone, and where there usually isn't any real hardship or trouble. What separates Shady Hollow from other cozy mysteries is that all the characters are lightly-anthropomorphized animals.
I want to note briefly that Juneau Black is the singular pen name of a pair of authors working together, like James SA Corey or Lewis Padgett. This isn't a secret; they explain it in the preface and pose together for the author photo at the back of the book.
So, Shady Hollow is a little town tucked away in the northern woods. (I love the double meanings of the word 'shady' here.) The town borders a river, and its chief industry is the wood mill owned the the industrialist von Beaverpelt family. The town has a newspaper, a thriving coffee shop run by a moose (or perhaps a caribou?), a bookshop run by a raven, and a new vegetarian restaurant run by a recently immigrated panda. The police are bears, the usual suspect is a raccoon, the college professor's an owl, and most of the townsfolk seem to be mice, rabbits, etc, wild animals, the kind that usually live in forests. So "A Murder in Richard Scarry's Busytown" remains an available concept to any copyright-courageous writer wanting to turn Black's insight into a subgenre.
We start with an introduction to the cast of main characters, written to cast suspicion on absolutely everyone, a map of the town, and then we're off to the races, when the hummingbird gossip columnist spots a dead body floating in the mill pond - the grumpy old toad who lived by the pond and liked to argue with everyone. Aspiring star reporter Vera Vixen picks up the story, determined to both report the news and solve the mystery! She talks to the other townsfolk to try to understand the victim and his relationships. Meanwhile the murderer isn't idle. Someone else is attacked, and then Vera becomes a target herself...
The concept of using animal characters gives Black permission to make them all a bit simplified in a way that works well for the story. The dynamic between Vera and her boss, for example, reminds me of Lois Lane and Perry White, or Mary Tyler Moore and Ed Asner. Not flat, but archetypal, iconic. Each character has only a few traits, so you feel like you get to know them quickly, including some of their secrets. This is not a dense or difficult book, it's a page-turner, and at just 200 pages, a quick, enjoyable read.
I honestly appreciated that the solution to the mystery was relatively straightforward. There was no locked-room puzzle to untangle, and unlike a couple mystery miniseries I watched recently, no too-clever implausible twist at the end. The answer is grounded in the relationships between the relevant characters that Vera and the audience discover together.
Black is also quite careful and playful with language. The townsfolk are 'creatures,' never 'people,' never even 'women' or 'men.' There are 'pawkerchiefs' and folks considering things 'on the one paw,' but never any 'hands' or 'feet.' There are a few little puns and other language jokes, especially in the bookstore, but not so many that they dominate. The snake medical examiner talksss like thisss, but only gets a handful of lines. It's funny without bring overwhelming, a neat balance.
As I was reading, I found that the way I imagined the characters shifted between various visual inspirations. At times, I imagined them like the stop-motion puppets from Wes Anderson's Fantastic Mr Fox movie. Other times I pictured them looking like Hannah Barbara cartoons, like Yogi Bear, Huckleberry Hound, and so on. The racoon I kept imagining as the vagabond from the boardgame Root; the sheep I pictured as Lambchop. And once, when the bear police detective picks up an injured Vera to help her to safety and her heart flutters with romantic excitement, I saw them as Little John and Maid Marian from Disney's foxy Robin Hood. It made me wonder how the authors imagined their own characters, and how other readers picture them.
Using the same rhyming logic employed here, of combining genres because they share a word in common, it's easy enough to imagine a cozy catastrophe with a cast of talking animals. For all I know, that'll be Juneau Black's next project. But I'm curious if anyone's ever mashed up the cozy mystery and cozy catastrophe, and had an amateur sleuth poking around a murder in the one town that's miraculously unaffected while the rest of the world succumbs to an off-camera apocalypse?
I want to note briefly that Juneau Black is the singular pen name of a pair of authors working together, like James SA Corey or Lewis Padgett. This isn't a secret; they explain it in the preface and pose together for the author photo at the back of the book.
So, Shady Hollow is a little town tucked away in the northern woods. (I love the double meanings of the word 'shady' here.) The town borders a river, and its chief industry is the wood mill owned the the industrialist von Beaverpelt family. The town has a newspaper, a thriving coffee shop run by a moose (or perhaps a caribou?), a bookshop run by a raven, and a new vegetarian restaurant run by a recently immigrated panda. The police are bears, the usual suspect is a raccoon, the college professor's an owl, and most of the townsfolk seem to be mice, rabbits, etc, wild animals, the kind that usually live in forests. So "A Murder in Richard Scarry's Busytown" remains an available concept to any copyright-courageous writer wanting to turn Black's insight into a subgenre.
We start with an introduction to the cast of main characters, written to cast suspicion on absolutely everyone, a map of the town, and then we're off to the races, when the hummingbird gossip columnist spots a dead body floating in the mill pond - the grumpy old toad who lived by the pond and liked to argue with everyone. Aspiring star reporter Vera Vixen picks up the story, determined to both report the news and solve the mystery! She talks to the other townsfolk to try to understand the victim and his relationships. Meanwhile the murderer isn't idle. Someone else is attacked, and then Vera becomes a target herself...
The concept of using animal characters gives Black permission to make them all a bit simplified in a way that works well for the story. The dynamic between Vera and her boss, for example, reminds me of Lois Lane and Perry White, or Mary Tyler Moore and Ed Asner. Not flat, but archetypal, iconic. Each character has only a few traits, so you feel like you get to know them quickly, including some of their secrets. This is not a dense or difficult book, it's a page-turner, and at just 200 pages, a quick, enjoyable read.
I honestly appreciated that the solution to the mystery was relatively straightforward. There was no locked-room puzzle to untangle, and unlike a couple mystery miniseries I watched recently, no too-clever implausible twist at the end. The answer is grounded in the relationships between the relevant characters that Vera and the audience discover together.
Black is also quite careful and playful with language. The townsfolk are 'creatures,' never 'people,' never even 'women' or 'men.' There are 'pawkerchiefs' and folks considering things 'on the one paw,' but never any 'hands' or 'feet.' There are a few little puns and other language jokes, especially in the bookstore, but not so many that they dominate. The snake medical examiner talksss like thisss, but only gets a handful of lines. It's funny without bring overwhelming, a neat balance.
As I was reading, I found that the way I imagined the characters shifted between various visual inspirations. At times, I imagined them like the stop-motion puppets from Wes Anderson's Fantastic Mr Fox movie. Other times I pictured them looking like Hannah Barbara cartoons, like Yogi Bear, Huckleberry Hound, and so on. The racoon I kept imagining as the vagabond from the boardgame Root; the sheep I pictured as Lambchop. And once, when the bear police detective picks up an injured Vera to help her to safety and her heart flutters with romantic excitement, I saw them as Little John and Maid Marian from Disney's foxy Robin Hood. It made me wonder how the authors imagined their own characters, and how other readers picture them.
Using the same rhyming logic employed here, of combining genres because they share a word in common, it's easy enough to imagine a cozy catastrophe with a cast of talking animals. For all I know, that'll be Juneau Black's next project. But I'm curious if anyone's ever mashed up the cozy mystery and cozy catastrophe, and had an amateur sleuth poking around a murder in the one town that's miraculously unaffected while the rest of the world succumbs to an off-camera apocalypse?
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