art by Ramsingh Urveti
2012
Ramsingh Urveti only credits himself as the illustrator of I Saw a Peacock with a Fiery Tail, perhaps because the text of the book consists of only the title poem, a folk poem from England in the 1600s, and according to the preface, often included in collections of poetry for children. Urveti's version takes the form of a children's picture book, and the poem is simple enough to be enjoyed by children; but I think adults can enjoy this as well.
The poem's first few lines go like this:
"I saw a peacock with a fiery tail
I saw a comet drop down hail
I saw a cloud with ivy circled around..."
Read this way, it's a series of strange images. But the poem's 'trick' is that it can be read another way, no longer rhyming, but making perfect sense.
"I saw a peacock
The poem's first few lines go like this:
"I saw a peacock with a fiery tail
I saw a comet drop down hail
I saw a cloud with ivy circled around..."
Read this way, it's a series of strange images. But the poem's 'trick' is that it can be read another way, no longer rhyming, but making perfect sense.
"I saw a peacock
With a fiery tale, I saw a comet
Drop down hail, I saw a cloud..."
Urveti's art allows both readings at once. Each two-page has one of his black-and-white ink drawings, and a half-stanza of text. Each also has a hole in the paper that reveals the next half-stanza. So it reads more like this:
"I saw a peacock with a fiery tail
With a fiery tail, I saw a comet
I saw a comet drop down hail
Drop down hail, I saw a cloud
I saw a cloud with ivy circled around..."
At the beginning, the cut-outs only show text, but as the book continues, they reveal glimpses of art too, and the cut-outs themselves become an increasingly important part of each new drawing.
I don't know why, exactly, but this book feels very appropriate for the Solstice and New Year. Perhaps the images of darkness, of lights in the sky, perhaps the way the dual readings suggest transformation.
Drop down hail, I saw a cloud..."
Urveti's art allows both readings at once. Each two-page has one of his black-and-white ink drawings, and a half-stanza of text. Each also has a hole in the paper that reveals the next half-stanza. So it reads more like this:
"I saw a peacock with a fiery tail
With a fiery tail, I saw a comet
I saw a comet drop down hail
Drop down hail, I saw a cloud
I saw a cloud with ivy circled around..."
At the beginning, the cut-outs only show text, but as the book continues, they reveal glimpses of art too, and the cut-outs themselves become an increasingly important part of each new drawing.
I don't know why, exactly, but this book feels very appropriate for the Solstice and New Year. Perhaps the images of darkness, of lights in the sky, perhaps the way the dual readings suggest transformation.
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