The Tea Dragon Society
by K O'Neill
2017
The Tea Dragon Society is a cute little graphic novel about a group of people in a fantasy setting who are involved in what seems like is their world's equivalent of slow food - raising tiny fussy dragons that grow tea leaves out of their heads, and brewing and drinking the magic tea made from those leaves.
Our viewpoint character is Greta, a young goblin learning blacksmithing from her mother. Greta notes that it takes a long time to make anything this way, but her mom assures her that there will always be people who value things that are well-made by hand. This is probably as close as the book gets to a thesis. One day at the market, Greta spots a little tea dragon being chased by dogs and rescues it. Someone in the market directs her to the dragon's owner, Hezekiel, an old man who looks like a dragon himself. He invites Greta to cone back some time to learn more about tea dragons. He's glad she's interested, since it's a dying art.
On successive trips to the tea shop Hesekiel runs, Greta bonds with Jasmine, the little dragon she rescued; meets and befriends Minette, a girl about her age who used to be a seer as a child, but effectively got burnout and amnesia from overwork, who's caring for the tea dragon Chamomile, and Erik, a retired adventurer and Hesekiel's partner, who now uses a wheelchair due to an old adventuring injury. There's not much plot beyond the group getting to know each other.
The whole story kind of takes place at the margins of a traditional fantasy world. Blacksmithing and tea-selling seem to generate enough income to finance a slow-paced life that accommodates Erik's and Minette's disabilities, and seems to suit the temperamental little tea dragon pets. I feel like it's more-or-less explicitly stated that artisanally-produced luxury goods can command high enough prices to avoid needing to hustle, grind, or suffer deprivation. (Yes, I know I shouldn't look to children's books for sound economics. And, I mean it IS sound, if you can find the customers. Just ask the restaurateurs who make a nice living by serving a couple dozen customers a day and charging them my entire week's wages for a single meal!)
The tea dragons are silent, which I think suits the mood and tone of the book. A lot is communicated wordlessly through the art, especially when the characters share tea and see visions of someone's memories thanks to the dragons' magic. There are four chapters plus an epilogue, and really only one main scene per chapter. The pace is as slow and gentle as the characters and their crafts. The dragons appear to live a very quiet, cozy life, and their caretakers also seem to enjoy a relaxed pace and schedule.
There's a bit of lore at the back of the book about tea dragons and their magic, which might inspire kid readers to make up their own tea dragon stories, or perhaps incorporate some of the ideas from the book into playing house or having tea parties.
Our viewpoint character is Greta, a young goblin learning blacksmithing from her mother. Greta notes that it takes a long time to make anything this way, but her mom assures her that there will always be people who value things that are well-made by hand. This is probably as close as the book gets to a thesis. One day at the market, Greta spots a little tea dragon being chased by dogs and rescues it. Someone in the market directs her to the dragon's owner, Hezekiel, an old man who looks like a dragon himself. He invites Greta to cone back some time to learn more about tea dragons. He's glad she's interested, since it's a dying art.
On successive trips to the tea shop Hesekiel runs, Greta bonds with Jasmine, the little dragon she rescued; meets and befriends Minette, a girl about her age who used to be a seer as a child, but effectively got burnout and amnesia from overwork, who's caring for the tea dragon Chamomile, and Erik, a retired adventurer and Hesekiel's partner, who now uses a wheelchair due to an old adventuring injury. There's not much plot beyond the group getting to know each other.
The whole story kind of takes place at the margins of a traditional fantasy world. Blacksmithing and tea-selling seem to generate enough income to finance a slow-paced life that accommodates Erik's and Minette's disabilities, and seems to suit the temperamental little tea dragon pets. I feel like it's more-or-less explicitly stated that artisanally-produced luxury goods can command high enough prices to avoid needing to hustle, grind, or suffer deprivation. (Yes, I know I shouldn't look to children's books for sound economics. And, I mean it IS sound, if you can find the customers. Just ask the restaurateurs who make a nice living by serving a couple dozen customers a day and charging them my entire week's wages for a single meal!)
The tea dragons are silent, which I think suits the mood and tone of the book. A lot is communicated wordlessly through the art, especially when the characters share tea and see visions of someone's memories thanks to the dragons' magic. There are four chapters plus an epilogue, and really only one main scene per chapter. The pace is as slow and gentle as the characters and their crafts. The dragons appear to live a very quiet, cozy life, and their caretakers also seem to enjoy a relaxed pace and schedule.
There's a bit of lore at the back of the book about tea dragons and their magic, which might inspire kid readers to make up their own tea dragon stories, or perhaps incorporate some of the ideas from the book into playing house or having tea parties.
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