by Kamome Shirahama
2024
The previous several volumes of Witch Hat Atelier set up all the pieces of a comprehensive disaster. Now they've been set in motion, and everything's in chaos. The girls have traveled to the annual Silver Eve festival, attended by witches from all over the countryside and by even more onlookers. The festival is a chance for witches to show off their newest spells and compete for royal patronage, and for the public to enjoy the spectacle.
The king is there, ready to meet with the most promising inventors, publicly affirming the agreement about witches' role in society, while privately studying old forbidden healing magic. The Pact, you see, says that spells should only be cast on objects (never on people), prevents ordinary people from knowing the truth about magic, and bans witches from learning anything about first aid or medicine. The Knights Moralis enforce the Pact by erasing the memory of anyone who violates it (the only spell they allow to be cast directly on a person). So the king's secret is a serious breach of the law!
Coco and Tartah have started realizing they have feelings for each other. They also have serious doubts about the Pact. It's not just that Coco fears that saving her mother (who's been turned to stone) might require forbidden magic, she's also increasingly uncomfortable thinking about all the other people magic could help if it were used for healing. Coco feels especially guilty about Custas, who was injured and lost his dad in a landslide. The accident was partially caused by one of Coco's spells, which came out much stronger than it was supposed to.
Custas is at the festival too, angry and volatile, using forbidden magic to compensate for his injured legs. And his dead dad is here, returned to a kind of cursed half-life by forbidden magic. The forbidden witch who taught Custas is here - she looks young and innocent, like one of the student witches. She wants an audience with the king, and extorts Coco to try to get one. Among her threats is the tantalizing promise that the king could truly heal Custas and his father.
The Knights Moralis are at the festival of course, there to prevent any breach of the Pact in the setting with the most contact between witches and ordinary people. They've arrested a very important witch, the old ambassador to the king, accusing him of taking bribes. And they've arrested a dirtbag witch who was selling magic glasses that can see through clothes (a very timely bit of commentary on Shirahama's part, considering one common use of AI image generators). One knight tried to arrest the forbidden witch who tutored Custas, but she turned the tables on him and erased his memory, taking almost everything he knew.
Now, in Witch Hat Atelier 12, in the king's jail, the old ambassador and the dirtbag plot to escape. The whole castle is warded against magic; it simply doesn't work inside. The ambassador draws a spell on the skin of the creep, with the idea that he can stick his hand out the window and get it to activate. (Apparently the ambassador already knew forbidden magic even if he didn't use it before his arrest.)
And that's what starts the disaster. As is so often the case, the king's jail has a guard monster, a leech that lived between the walls. When the creep sticks his hand out, the leech bites him, his blood mixes with the ink used to draw the spell on him, and everything goes wrong. The leech and man merge into one gigantic being, an impossibly vast multi-headed creature, like a net thrown over the entire festival biting at everyone there.
The ambassador wryly observes that this is the secret reason for banning magic medicine and spells cast on bodies - that blood mixed with ink produces extraordinary, unpredictable results. This is a totally different justification than we've heard previously! (The avalanche that injured Custas happened after a forbidden witch replaced Coco's ink with something much more powerful. Could it have been as simple as ordinary ink mixed with blood?)
This is a disaster that could kill countless people. Olruggio and other adult witches use fire spells to burn the monster. The Knights Moralis try to fight the leeches and evacuate the public. They want to keep people safe, but they also fear too many people witnessing just how easily all the helping magic they've been seeing at the festival can be used as a weapon of war. In a moment of irony, the forbidden witch who looks like a school girl gets rescued from the leech by the knight whose memory she erased - he doesn't remember her, or anything really, but he still feels a duty to protect others.
Tetia and the other girls feel helpless watching ordinary people bandage the wounds of the injured, and start having doubts just like Coco's. Why shouldn't they do something to useful? In the chaos, Coco confesses what she's been thinking to Master Qifrey. His reaction isn't instant rejection as she feared it would be. He understands her doubts about the Pact.
Right now everything is chaos and everyone is in danger. The leeches can just barely be held back, but seemingly not truly injured or defeated. It's an ongoing disaster, and it'll continue in the next volume.

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